 English artists are the most engaged, a variety, a fancy, and a dignity derived from the higher branches, which even those who professed them in a superior manner did not always preserve when they delineated individual nature. His portraits remind the...  Sotheran's Price Current of Literature - Page 231918Full view - About this book
 | Child rearing - 1846 - 316 pages
...communicated to that description of the art, in which English artists are most engaged, a variety, a fancy, and a dignity, derived from the higher branches,...delineated individual nature. His portraits remind the spectator of the invention and the amenity of landscape. In painting portraits he appeared not... | |
 | 1847 - 296 pages
...communicated to that description of the art, in which English artists are the most engaged, a variety, a fancy, and a dignity, derived from the higher branches,...delineated individual nature. His portraits remind the spectator of the invention of history, and the amenity of landscape. In painting portraits, he... | |
 | Henry George Bohn - Booksellers' catalogs - 1847 - 600 pages
...commonictted to that description of the art, in which English artists are most engaged, a variety, a fancy, and a dignity, derived from the higher branches,...in a superior manner did not always preserve when Ibey delineated individual nature. His portraits remind the spectator of the invention and Ibe amenity... | |
 | HENRY J. BOHN - 1847 - 602 pages
...are most engaged, a variety, a fancy, and л ili»ity, derived from the higher branches, which t-ven those who professed them in a superior manner did...they delineated individual nature. .His portraits u niin'i llie spectator of the mVfnlitin and lin amenity ot landscape.' — Burke, Designs for the... | |
 | Henry George Bohn - Booksellers' catalogs - 1847 - 602 pages
...communicated to that description of the art, in which English artists are most engaged, a variety, a fancy, and a dignity, derived from the higher branches, which even those who professed them in я superior tnanni-r did not always preserve whfii they delineate^ individual nature. His portraits... | |
 | George Crabbe - 1847 - 618 pages
...communicated to that department of the art, in which English artists im1 the most engaged, a variety, a fancy, and a dignity, derived from the higher branches, which even those «ho profeawd them in a superior manner, did not always preserve when they delineated individual nature.... | |
 | Chauncey Allen Goodrich - Great Britain - 1852 - 978 pages
...communicated tc that description of the art, in which English artists are the most engaged, a variety, a fancy, and a dignity derived from the higher branches,...delineated individual nature. His portraits remind the spectator of the invention of history and the amenity of landscape. In painting portraits, he-... | |
 | Chauncey Allen Goodrich - Great Britain - 1852 - 976 pages
...communicated to that description of the art, in which English artists are the most engaged, a variety, a fancy, and a dignity derived from the higher branches,...delineated individual nature. His portraits remind the spectator of the invention of history and the amenity of landscape. In painting portraits, he appeared... | |
 | Sir Joshua Reynolds, Henry William Beechey, Thomas Gray, Charles-Alphonse Dufresnoy, William Mason - Aesthetics, Modern - 1852 - 518 pages
...communicated to that description of the art, in which English artists are the most engaged, a variety, a fancy, and a dignity derived from the higher branches,...delineated individual nature. His portraits remind the spectator of the invention of history, and the amenity of landscape. In painting portraits, he... | |
 | Chauncey Allen Goodrich - Great Britain - 1852 - 968 pages
...communicated to that description of the art, in which English artists are the most engaged, a variety, a fancy, and a dignity derived from the higher branches,...delineated individual nature. His portraits remind the spectator of the invention of history and the amenity of landscape. In painting portraits, ho appeared... | |
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