Rubens in my possession : he never afterwards had so brilliant a manner of colouring ; it kills every thing near it. Behind are figures on horseback, touched with great spirit. This is Vandyck's first manner, when he imitated Rubens and Titian, which... A Hand-book of the History of Painting - Page 238by Franz Kugler - 1846 - 377 pagesFull view - About this book
| sir Joshua Reynolds - 1801 - 450 pages
...colouring ; it kills every thing near it. Behind are figures on horseback, touched with great spirit. This is Vandyck's first manner, when he imitated Rubens...but his first manner carries a superiority with it, and seizes our attention, whilst the pictures painted in his latter manner run a risk of being overlooked.... | |
| Sir Joshua Reynolds, Edmond Malone - Art - 1801 - 452 pages
...colouring ; it kills every thing near it. Behind are figures on horseback, touched with great spirit. This is Vandyck's first manner, when he imitated Rubens...his first manner carries - a superiority with it, and seizes our attention, whilst the pictures painted in his latter -mariner ruA/a risk of being overlooksd.... | |
| Sir Joshua Reynolds - Art - 1809 - 442 pages
...colouring; it kills every thing near it. Behind are figures on horseback, touched with great spirit. This is Vandyck's first manner, when he imitated Rubens...pictures afterwards, he represented the effects of common day light: both were equally true to nature; but his first manner carries a superiority with it, and... | |
| sir Joshua Reynolds - 1819 - 440 pages
...colouring ; it kills every thing near it. Behind are figures on horseback, touched with great spirit. This is Vandyck's first manner, when he imitated Rubens...pictures afterwards, he represented the effects of common day light : both were equally true to nature ; but his first manner carries a superiority with it,... | |
| Sir Joshua Reynolds - Art, English - 1819 - 446 pages
...colouring; it kills every thing near it. Behind are figures on horseback, touched with great spirit. This is Vandyck's first manner, when he imitated Rubens...pictures afterwards, he represented the effects of common day light: both were equally true to nature; but his first manner carries a superiority with it, and... | |
| Sir Joshua Reynolds - Art - 1824 - 324 pages
...colouring ; it kills every thing near it. Behind are figures on horseback, touched with great spirit. This is Vandyck's first manner, when he imitated Rubens...pictures afterwards, he represented the effects of common day light: both were equally true to nature; but his first manner carries a superiority with it, and... | |
| Allan Cunningham - 1832 - 324 pages
...every thing near it. Behind are figures on horseback, touched with great spirit. This is Vandyke's first manner when he imitated Rubens and Titian, which supposes the sun in the room ; in his pictures afterward he represented common daylight." The public mind during this period was laden . and heaving... | |
| Sir Joshua Reynolds - Art - 1835 - 514 pages
...colouring ; it kills every thing near it. Behind are figures on horseback, touched with great spirit. This is Vandyck's first manner, when he imitated Rubens...but his first manner carries a superiority with it, and seizes our attention, whilst the pictures painted in his latter manner run a risk of being overlooked,... | |
| sir Joshua Reynolds - 1835 - 536 pages
...colouring ; it kills every thing near it. Behind are figures on horseback, touched with great spirit. This is Vandyck's first manner, when he imitated Rubens...but his first manner carries a superiority with it, and seizes our attention, whilst the pictures painted in his latter manner run a risk of being overlooked,... | |
| John Murray - 1837 - 434 pages
...spirit. This is Vandyk's first manner, when he imitated Rubens and Titian, which supposes the scene in the room : in his pictures afterwards he represented...but his first manner carries a superiority with it, and seizes our attention, whilst the pictures painted in his latter manner run a risk of being overlooked."... | |
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