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" And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens,... "
Life in Poetry: Law in Taste: Two Series of Lectures Delivered in Oxford ... - Page 210
by William John Courthope - 1901 - 452 pages
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The Edinburgh Review: Or Critical Journal, Volume 201

1905 - 606 pages
...often-quoted passage in his ' Ten o'clock ' with a sympathy not due to the words alone : ' And when evening mist clothes the river-side with poetry, as...themselves in the dim sky, and the tall chimneys become canpanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and...
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New Outlook, Volume 83

1906 - 1232 pages
...Whistler has supplemented the record of his impression with the brush by this record with the pen : " And when the evening mist clothes the riverside with poetry,...the wayfarer hastens home ; the workingman and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see...
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The Harvard Monthly, Volumes 43-44

College students' writings, American - 1907 - 682 pages
...as the Infanta's hoops to Velasquez. He discloses the city at a time, to use his own perfect words, "when the evening mist clothes the riverside with...buildings lose themselves in the dim sky, and the warehouses are palaces in the dusk, and the whole city hangs in the heavens." Because these delicate...
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Scribner's Magazine, Volume 58

Edward Livermore Burlingame, Robert Bridges, Alfred Sheppard Dashiell, Harlan Logan - American periodicals - 1915 - 998 pages
...London "the poor buildings lose themselves in the dim sky, and the tall chimneys become campanile, and the warehouses are palaces in the night, and the...hangs in the heavens and fairy-land is before us." That is the Gospel of the Wonder of Work. Though I never studied under Whistler — never was his pupil...
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Scribner's Magazine ..., Volume 58

1915 - 1050 pages
...London " the poor buildings lose themselves in the dim sky, and the tall chimneys become campanile, and the warehouses are palaces in the night, and the whole city hangs in the heavens and fairy -land is before us." That is the Gospel of the Wonder of Work. Though I never studied under Whistler...
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Scribner's Magazine, Volume 58

Edward Livermore Burlingame, Robert Bridges, Alfred Sheppard Dashiell, Harlan Logan - American periodicals - 1915 - 814 pages
...subjects can be as noble as the other, as Whistler proved, when he showed for the first time how in London "the poor buildings lose themselves in the dim sky, and the tall chimneys become campanile, and the warehouses are palaces in the night, and the whole city hangs in the heavens and...
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"Ten O'clock,"

James McNeill Whistler - Art - 1888 - 42 pages
...sake of seeing, is, with the mass, alone the one to be gratified, hence the delight in detail. And when the evening mist clothes the riverside with poetry,...themselves in the dim sky, and the tall chimneys become companili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and...
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The Fine Arts

Gerard Baldwin Brown - Aesthetics - 1891 - 356 pages
...beneath a veil of shadow. Here is what a painter of to-day has said about nightfall on the Thames : ' And when the evening mist clothes the riverside with poetry,...before us — then the wayfarer hastens home ; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they...
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The Fine Arts

Gerard Baldwin Brown - Art - 1891 - 354 pages
...beneath a veil of shadow. Here is what a painter of to-day has said about nightfall on the Thames : ' And when the evening mist clothes the riverside with poetry,...night, and the whole city hangs in the heavens, and fairvlaml is before us — then the wayfarer hastens home ; the working man and the cultured one, the...
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Memoir and Remains, Volume 2

John Miller Gray - Art - 1895 - 188 pages
...which we thank him, though it has been produced in defiance of his own code of artistic ethics : ' When the evening mist clothes the river-side with...before us — then the wayfarer hastens home; the working man and the cultured one, the wise man, and the one of pleasure, cease to understand, as they...
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