The Cinema of Hong Kong: History, Arts, IdentityPoshek Fu, David Desser Cambridge University Press, 25. mars 2002 - 333 sider The Cinema of Hong Kong examines one of the most popular and dynamic cinema traditions in the history of film. Providing an overview of major directors, genres and stars, from its origins to the present, this volume examines Hong Kong cinema in transnational, historical, and artistic contexts. Individual essays focus on Hong Kong cinema before and during World War II; the cinema of the turbulent 1960s; its rise to world prominence in the 1970s and its reception in the United States, and the revival of Cantonese cinema, among other topics. |
Innhold
Introduction | 1 |
Chronology of Hong Kong Cinema | 13 |
HISTORY | 17 |
The Kung Fu Craze Hong Kong Cinemas First American Reception | 19 |
The American Connection in Early Hong Kong Cinema | 44 |
The 1960s Modernity Youth Culture and Hong Kong Cantonese Cinema | 71 |
The 1970s Movement and Transition | 90 |
ARTS | 111 |
The Film Work of Ann Hui | 176 |
IDENTITY | 197 |
Between Nationalism and Colonialism Mainland Émigrés Marginal Culture and Hong Kong Cinema 19371941 | 199 |
Urban Cinema and the Cultural Identity of Hong Kong | 227 |
Rewriting History Hong Kong Nostalgia Cinema and Its Social Practice | 252 |
Filming Diaspora and Identity Hong Kong and 1997 | 273 |
Buying American Consuming Hong Kong Cultural Commerce Fantasies of Identity and the Cinema | 289 |
Hong Kong Electric Shadows A Selected Bibliography of Studies in English | 314 |
Richness through Imperfection King Hu and the Glimpse | 113 |
Space Place and Spectacle The Crisis Cinema of John Woo | 137 |
Besides Fists and Blood Michael Hui and Cantonese Comedy | 158 |
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The Cinema of Hong Kong: History, Arts, Identity Poshek Fu,David Desser Ingen forhåndsvisning tilgjengelig - 2000 |
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actors American Ann Hui artists Asian audience Better Tomorrow box-office British Bruce Lee Cantonese cinema Cantonese film Cantonese opera characters China Chinese Cinema Chiu Chow Chungking Express colonial comedy commodities critics dianying director discourse drama Film Company filmmakers Fists of Fury genre Golden Grandview handover hero HKIFF Hollywood Hong Kong cinema Hong Kong film Hong Kong International Hu's Hui's identity Jackie Chan Japanese John Woo King Hu Kong film industry Kong International Film Kong's kung fu craze kung fu films Kwan Lee's Leung mainland Mandarin cinema Mandarin films martial arts films Michael Hui modern narrative nostalgia cinema nostalgia films Opium overseas past played political popular postmodern production released Romance scene screen Shanghai Shaw Brothers shot social Song stars story studio Taiwan television Touch of Zen traditional Tsui Hark urban space Vietnam Wang Western Wong Kar-wai Woo's wuxia Xianggang