Annals of the Artists of Spain, Volume 1

Front Cover
J. Ollivier, 1848 - Art
 

Contents

Influence of the national character
13
F Aguirre
16
Carreños death and character
17
Removal to Rome
19
Ceremonials at Fuenterabia
20
New palace designed by F Juvara
24
homeward progress of
28
19
34
G B Castello el Genovese
36
Singular respect shown to his
39
Rouged statues at Madrid
40
P de Valpuesta
47
His marriages
48
Letter on the school of Seville
49
In Italy chiefly foreigners
51
41
57
Suggestions for the improvement
63
His works
67
His illness and will
68
NOTICES OF EARLY ART TO THE END OF THE REIGN
70
of Castile
71
His mission to England
73
Criticism of Philip II and condemned
74
Monastery of Guadalupe
77
St Anthony of Padua
79
J S Navarro
81
His youthful industry
85
His conquest of Naples and its effects
88
J Uceda Castroverde
89
Intercourse between Spain and Italy
102
1087
103
Queen Maria Louisas entry into
104
Rome under Pope Urban VIII
108
Ferrado
109
His love of painting
116
He founds the academy of San Fer
117
Journey to Spain
119
Spanish artists in Italy A Berru
123
Spanish painted sculpture
131
P Muñoz
137
A Berruguete
143
His view of the Escorial in England 553 G B Ceroni
146
His paintings
148
Travels in Italy and France
151
Carlos
154
A Perez de Villoldo and J de Villoldo
158
A More
164
de Castro
165
Anecdotes of
169
J de Vanderhamen
176
His removal to Madrid
177
The Escorial compared with other great
185
Portraits of the Inf Don Balthazar
187
The Infant Don Gabriel
191
His health impaired by overexertion
193
B Carducho
195
Architects of the Escorial
198
Murder of his wife
200
Their interview with Pope Liberius
201
Historical mythological and fancy
202
Exterior
205
J B Medina or Sir John Medina
208
Return to Rome
209
17881808
215
Blasco
220
Morales
224
Their careful finish
230
G Garcia Salmeron
235
Of Inf D Carlos
236
Murillos pictures for the cathedral
284
Sketches and engravings
287
274
289
Triumphal arches and religious pic
291
Picture of El Aguador de Sevilla
294
REIGN OF CHARLES II 16651700
296
Sacred subjects
300
His style
301
Artists of Andalusia painters
306
A de Vargas
307
His architectural works
309
His portrait of Fr F de Contreras
310
Second visit to Madrid in 1623
314
B Roman
318
MONOGRAMS OF ARTISTS
323
Last work
324
Various works
333
Ant de Arfian
344
Painters F Ximenez
346
Return to Rome for life
347
He is retained in the Kings service
349
His travels in Italy
350
J de Galvan
352
624
358
109
373
949
375
Fall of Olivares
378
358
382
Don Juan of Austria
385
Return of the Prodigal
391
F Merino his works at Toledo
393
630
397
Murillos pictures on tiles
399
F Alvarez
400
34
402
REIGN OF PHILIP III 15981621
407
de Soto
410
Alvarez de Nava
411
His person and portraits
412
F Lopez
417
Saying of Charles II
418
His dialogues on painting
424
Taking of Lerida
426
Convent of the Capuchins at Seville
428
1095
429
His success at Court and his works
430
Works at Madrid Valladolid
432
Urzanqui
434
1202
438
Visit to Andalusia
449
He becomes the scholar of Roelas
452
B Gonzalez
460
Padre Caimos Letters on Spain
461
Sta Rufina and Sta Justa
465
Removal from Paular to Granada
466
Remarks on the evidence
467
His writings
469
1364
479
His occupations at Madrid and Toledo
481
His knowledge of languages
482
J Martinez Montañes
483
Portrait of St Ignatius Loyola
484
F Rizi
485
CHAPTER I
488
Artists of Valencia
492
Works of the Ribaltas at Madrid
499
1219
507
His visit to Andalusia in 1624

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Page 122 - The glories of our blood and state Are shadows, not substantial things ; There is no armour against fate ; Death lays his icy hand on kings : Sceptre and crown Must tumble down, And in the dust be equal made With the poor crooked scythe and spade.
Page 158 - And they brought every man his present, vessels of silver and vessels of gold, and garments and armour and spices, horses and mules, a rate year by year.
Page 341 - Brioso el alto cuello y enarcado, Con la cabeza descarnada y viva; Llenas las cuencas, ancho y dilatado El bello espacio de la frente altiva: Breve el vientre rollizo, no pesado Ni caido de lados, y que aviva Los ojos eminentes; las orejas Altas sin derramarlas y parejas.
Page 437 - Nature herself, amazed, does doubting stand, Which is her own and which the painter's hand; And does attempt the like with less success, When her own work in twins she would express. His all-resembling pencil did out-pass The mimic imagery of looking-glass.
Page 72 - which points to heaven with spires more rich and delicate than any that crown the cities of the imperial Rhine. He also began to rebuild the Cathedral of Toledo, where during four hundred years artists swarmed and labored like bees ; and splendid prelates lavished their princely revenues to make fair and glorious the temple of God intrusted to their care.
Page 183 - It is now time that we should turn our attention to the curious volumes of our countryman, Mr. Horace Hayman Wilson, entitled the
Page 443 - Retablo of high altar, an elegant structure of the four orders, richly gilt, and adorned with wooden statues. In each of its three storeys are placed two large compositions of Tristan, illustrating passages in the life of the Saviour. Of these, the lower pair, are the 'Adoration of the Shepherd,' 'Adoration of the Kings;1 the 2nd, 'Christ at the Column,' 'Christ bearing His Cross;' the 3rd, 'The Resurrection,
Page 2 - ... in history. Possessing great power of adaptation, she set her mark upon all that she produced. In the northern and central regions design and initiative in architecture are mostly French ; but the influence of the Saracens leavens this northern style and informs it with richer beauty, "the songs and shrines being equally tinged with the colouring of northern piety and oriental fancy.
Page 342 - Si de lejos al arma dio el aliento Ronco la trompa militar de Marte, De repente estremece un movimiento Los miembros, sin parar en una parte: Crece el resuello, y recogido el viento Por la abierta nariz ardiendo parte: Arroja por el cuello levantado El cerdoso cabello al diestro lado.
Page 469 - Who on their plumy vans received him soft From his uneasy station, and upbore, As on a floating couch, through the blithe air; Then, in a flowery valley, set him down On a green bank, and set before him spread A table of celestial food, divine, Ambrosial fruits, fetch'd from the tree of life, And from the fount of life ambrosial drink...

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