Mind in Character: Shakespeare's Speaker in the Sonnets"This book is about poetry rather than theory. Shakespeare's poetry, I find, remains more relevant and more rewarding than any theory, however elaborate, as to who, if anyone, should read a text and, if so, how they should do it. In other words, I do not intend another prolegomena for future studies of the reader in the text and/ or the text in the reader. I simply have written what I think the sonnets are about, what they say and how they say it. I do not attempt to speak for "the reader," as I know little about him or her, but only for myself. What interests me especially is the behavior of Shakespeare's sonnet-speaker, the coherent psychological entity projected by the speaking voice in these poems. I do not identify that speaker with the historical William Shakespeare, knowing scarcely more about him than about "the reader."--Preface. |
Contents
Ironies of Awareness I | 1 |
Soliloquy Sonnets | 44 |
Dialogue Sonnets | 99 |
Copyright | |
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Common terms and phrases
appears argument attitude auditor awareness beauty becomes begins beloved beloved's claims comparison contrast cosmic irony couplet criticism Dark Lady decline defined dialogue doth dramatic irony effect Eiron eternal evil example eyes Fair Youth false final flowers hath heart human I/thou idea ideal love imagery impersonal implies inconstancy interrogative mood introspection ironic lack Lady group less line 14 line 9 linked love's meaning metaphor Michael Drayton mind mistress mode of address moral natural process octet opening line pattern phrase poem poem's poet poetic poetry praise Procreation group Procreation sonnets pronouns quatrain question reference reflects relation repetition rhetorical irony rhyme role self-effacing self-love sense sequence sestet Shakespeare's Sonnets Shakespeare's speaker soliloquy sonnet 12 sonnet 21 sonnet-speaker soul speaking statement Stephen Booth structure suggests sweet technique thee theme thine thou thought time's tion Variorum verb woman words