Satire and the Threat of Speech: Horace's Satires, Book 1In his first book of Satires, written in the late, violent days of the Roman republic, Horace exposes satiric speech as a tool of power and domination. Using critical theories from classics, speech act theory, and others, Catherine Schlegel argues that Horace's acute poetic observation of hostile speech provides insights into the operations of verbal control that are relevant to his time and to ours. She demonstrates that though Horace is forced by his political circumstances to develop a new, unthreatening style of satire, his poems contain a challenge to our most profound habits of violence, hierarchy, and domination. Focusing on the relationships between speaker and audience and between old and new style, Schlegel examines the internal conflicts of a notoriously difficult text. This exciting contribution to the field of Horatian studies will be of interest to classicists as well as other scholars interested in the genre of satire. |
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Satire and the Threat of Speech: Horace's Satires, Book 1 Catherine M. Schlegel Limited preview - 2005 |
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allows anger appears audience becomes begins belongs blame boundaries calls Cambridge Canidia character claims Comedy competition context critical defines demonstrate denied describes desire epic ethical exchange expresses fact failings father faults fear figure final friendship genre gives Greek hear hearer Horace Horace’s father Horace’s Satires human impulse interlocutor invective issue journey kind language Latin limits listener literary live look Lucilian Lucilius Lucilius’s Maecenas magical material meaning menace moral narrator nature notes object offers opening Persius persona pleasure poem poem’s poet poet’s poetic poetry political practice praise presents Priapus problem provides reader reading reality reason recall recognize relation relationship Roman Rome satire’s satirist says seems sexual social speaker speaks speech status suggests takes tells turn University Press verbal verse virtue voice whole write