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" Susan Buck-Morss, The Dialectics of Seeing: Walter Benjamin and the Arcades Project (Cambridge, Mass.: MIT Press, 1989), and The Flaneur, ed. "
Teaching Against the Grain: Texts for a Pedagogy of Possibility
av Roger Simon - 1992 - 172 sider
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Media Knowledge: Readings in Popular Culture, Pedagogy, and Critical Citizenship

James Schwoch, Mimi White, Miriam White, Susan Reilly - 1992 - 208 sider
...13. NOTES TO INTRODUCTION 1. Trinh T. Minh-ha, "Documentary Is/Not a Name," October 52, p. 76-100. 2. Susan Buck-Morss, The Dialectics of Seeing: Walter...the Arcades Project, (Cambridge: MIT Press, 1989), p. 304. 3. Buck-Morss, Dialectics, p. 304. 4. Buck-Morss, Dialectics, p. 312. 5. Buck-Morss, Dialectics,...
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The Temptation of Saint Redon: Biography, Ideology, and Style in the Noirs ...

Stephen F. Eisenman, Odilon Redon - 1992 - 322 sider
...1874), 232, cited by Mantz, "Caricature moderne," 20. 64. Beraldi, Graveurs du xix siecle, 7 : 209. 65. Cited in Susan Buck-Morss, The Dialectics of Seeing....Walter Benjamin and the Arcades Project (Cambridge and London, 1989), 149. 66. Ibid., 154-55. 67. It seems likely that Vermersch also edited the caricatural...
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Present Tense: Rock & Roll and Culture

Anthony DeCurtis - 1992 - 340 sider
...One-Way Street and Other Writings, trans. Edmund Jephcott and Kingsley Shorter (London. 1979). 349-86. 6 Susan Buck-Morss, The Dialectics of Seeing: Walter Benjamin and the Arcades Project (Cambridge. Mass., 1989), 241. 7 Quoted by Buck-Morss in Dialectics of Seeing, 240-41; emphasis mine. 8 "The more...
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Getting Back Into Place: Toward a Renewed Understanding of the Place-world

Edward S. Casey - 1993 - 444 sider
...of California Press, 1977], p. 86). On the complex cultural and social significance of arcades, see Susan Buck-Morss, The Dialectics of Seeing: Walter Benjamin and the Arcades Project (Cambridge, Mass.: MIT Press, 1989). Benjamin saw arcades—first constructed in Paris in the early nineteenth...
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Landscapes of Power: From Detroit to Disney World

Sharon Zukin - 1993 - 344 sider
...or artistic liminality, or marginality; this Turner calls a liminoid state. On Walter Benjamin, see Susan Buck-Morss, The Dialectics of Seeing: Walter Benjamin and the Arcades Project (Cambridge, Mass.: MIT Press, 1989). 3. See TJ Clark, The Painting of Modern Life (New York: Knopf, 1985), ch....
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Force Fields: Between Intellectual History and Cultural Critique

Martin Jay - 1993 - 252 sider
...Interpretation of Dialogue (Chicago, 1990). 3. For a bold attempt to do so, see the final sections of Susan Buck-Morss, The Dialectics of Seeing: Walter Benjamin and the Arcades Project (Cambridge, Mass., 1989). 4. Benjamin, pp. 63-64. 5. For an analysis, see the title essay in my Fin-de-siecle Socialism...
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The Films of Vincente Minnelli

James Naremore - 1993 - 218 sider
...and the surrealist movement: "The father of Surrealism was Dada; its mother was an arcade." Quoted by Susan Buck-Morss, The Dialectics of Seeing: Walter Benjamin and the Arcades Project (Cambridge, Mass.: MIT Press, 1989), p. 275. 25. Harvey, Directed by Vincente Minnelli, p. 33. 26. Stanley Green,...
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Mimesis and Alterity: A Particular History of the Senses

Michael T. Taussig - 1993 - 324 sider
...therefore, in acknowledging this to be a jointly authored work. 15. Kane, 1990, p. 17. Chapter 2 1. Susan Buck-Morss, The Dialectics of Seeing: Walter Benjamin and the Arcades Project (Cambridge, Mass: MIT Press, 1989), p. 267. 2. Yrjo Him, Origins of Art (London, 1900; reissued New York: Benjamin...
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Streetwalking on a Ruined Map: Cultural Theory and the City Films of Elvira ...

Giuliana Bruno - 1993 - 432 sider
...Schrifien, ed. Rolf Tiedemann, Frankfurt am Main: Suhrkamp Verlag, 1982). On Benjamin's arcades project, see Susan Buck-Morss, The Dialectics of Seeing: Walter Benjamin and the Arcades Project, Cambridge, Mass.: MIT Press, 1989. For a reconsideration of Benjamin's writings on the cinema, see Miriam Hansen,...
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History and Ideology in Proust: A la Recherche Du Temps Perdu and the Third ...

Michael Sprinker - 1994 - 256 sider
...experience of feeling that we are discovering the political meaning of these phenomena on our own" (Susan Buck-Morss, The Dialectics of Seeing: Walter Benjamin and the Arcades Project [Cambridge, MA: MIT Press, 1991], p. x). Substitute "Proust" for "Benjamin" in this passage, and one comes close...
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