The Growth and Influence of Classical Greek Poetry: Lectures Delivered in 1892 on the Percy Turnbull Memorial Foundation in the Johns Hopkins University |
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Achilles Aeolian Aeschylus Agamemnon Alcman ancient Antigone Apollo Archilochus Aristophanes artistic Athenian Athens Attic Comedy Attic drama Attic Tragedy beauty century B. C. character charm choral lyric chorus chylus classical Clytaemnestra couplet Dionysus distinctive dithyramb divine Dorian dramatist elegiac elegy epic epic poetry epos Euripides expression feeling festival fragments genius gifts gods Greece Greek lyric Greek poetry Hector Hellas Hellenic Heracles heroes heroic Hesiod hexameter Hieron Homeric Homeric epos human iambic ideal Iliad imagination influence inspiration Ionian later legends less literature living lyric poetry maidens ment merely metre mind minstrel modern moral nature noble odes of victory Odysseus Oedipus Olympian Olympus Pelops persons Pindar plays poem poet poet's poetical popular Prometheus race religion Roman Sappho satire says sense Simonides song Sophocles Sparta speech spirit splendor Stesichorus story style sympathy themes things thou thought tion tone tradition tragic words Zeus
Popular passages
Page 45 - OF man's first disobedience, and the fruit Of that forbidden tree, whose mortal taste Brought death into the world, and all our woe, With loss of Eden, till one greater Man Restore us, and regain the blissful seat, Sing, heavenly Muse...
Page 232 - Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal — yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair!
Page 234 - A THING of beauty is a joy for ever : Its loveliness increases ; it will never Pass into nothingness ; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing.
Page xv - Thy hopes grow timorous, and unfixed thy powers, And thy clear aims be cross and shifting made: And then thy glad perennial youth would fade, Fade, and grow old at last, and die like ours.
Page 232 - Thanks to its tenderness, its joys, and fears, To me the meanest flower that blows can give Thoughts that do often lie too deep for tears.
Page 215 - I am satisfied if it cause delight. For delight is the chief, if not the only, end of poesy. Instruction can be admitted but in the second place, for poesy only instructs as it delights.
Page 44 - Like the poor cat i' the adage? MACB. Prithee, peace. I dare do all that may become a man; Who dares do more is none. LADY M. What beast was't, then, That made you break this enterprise to me? When you durst do it, then you were a man; And, to be more than what you were, you would Be so much more the man.
Page 117 - Kronion spake, and bowed his dark brow, and the ambrosial locks waved from the king's immortal head; and he made great Olympus quake.
Page 44 - Could all our care elude the gloomy grave, Which claims no less the fearful than the brave, For lust of fame I should not vainly dare In fighting fields, nor urge thy soul to war. But since, alas ! ignoble age must come, Disease, and death's inexorable doom, The life, which others pay, let us bestow, And give to fame what we to nature owe ; Brave though we fall, and honour'd if we live, Or let us glory gain, or glory give!
Page 227 - ... activity, the whole play of the universal order, to be apprehensive of missing any part of it, of sacrificing one part to another, to slip away from resting in this or that intimation of it, however capital.