The Rhetoric, Poetic, and Nicomachean Ethics: Of Aristotle, Volume 1

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A.J. Valpy, 1818 - Ethics
 

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Page 278 - But most important of all is the structure of the incidents. For Tragedy is an imitation, not of men, but of an action and of life, and life consists in action, and its end is a mode of action, not a quality.
Page 152 - Without a sign his sword the brave man draws, And asks no omen but his country's cause.
Page 310 - ... the fourth to the third; in which case the fourth may be substituted for the second, and the second for the fourth. And sometimes the proper term is also introduced besides its relative term.
Page 76 - I had it not from Jove, nor the just gods Who rule below ; nor could I ever think A mortal's law of power or strength sufficient To abrogate th' unwritten law divine, Immutable, eternal, not like these Of yesterday, but made ere time began.
Page 300 - For the poet as much as possible should cooperate with the gestures [of the actor] ; since those are naturally most adapted to persuade who are themselves under the influence of passion. Hence, also, he agitates others who is himself agitated, and he excites others to anger who is himself most truly enraged. Hence, poetry is the province either of one who is naturally clever, or of one who is insane. For these characters, the one is easily fashioned, but the other is prone to ecstasy.
Page 290 - Hence it is necessary that a plot which is well constructed, should be rather single s- than twofold, (though some say it should be the latter,) and that the change should not be into prosperity from adversity, but on the contrary into adversity from prosperity, not through depravity, but through some great error, either of such a character [as we have mentioned], or better rather than worse.
Page 316 - Concerning the poetry, however, which is narrative and imitative in meter, it is evident that it ought to have dramatic fables, in the same manner as tragedy, and should be conversant with one whole and perfect action, which has a beginning, middle, and end, in order that, like one whole animal, it may produce its appropriate pleasure;^ and that it may not be like the custom of histories, in which it is not necessary to treat of one action, but of one time, viz. of such things as have happened in...
Page 301 - The brother, therefore, coming, and being made captive, discovered [his sister£ when he is going to be sacrificed ; .whether, as Euripides says, [by an epistle,] or, as Polyides feigns, speaking according to probability, because he said, it was not only requisite that the sister, but that he also should be sacrificed: — and hence safety arises. After these things, the poet having given names to the persons, should insert the episodes; and he must be careful that the episodes be appropriate ; as...
Page 274 - ... no less than epic poetry. With respect to the parts, however, [of the epopee and tragedy,] some are the same in both, but others are peculiar to tragedy. Hence he who knows what is a good or bad tragedy, knows the same in respect to epic poetry. For those things which the epopee possesses are to be found in tragedy; but every thing which tragedy contains is not in the epopee.
Page 234 - Nireus, whom Aglae to Charopus bore, Nireus, in faultless shape and blooming grace, The loveliest youth of all the Grecian race ; ^ Pelides only match'd his early charms ; But few his troops, and small his strength in arms.

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